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BIBLIOGRAPHY/COLLECTIONS

 

 

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BIBLIOGRAPHY

By Pavia
Club Without Walls: The Journals of Philip Pavia. New
     York: Midmarch Arts Press, 2005.
“Excavations in Non-History.” It is., no. 4, 1959.
“Five States of Mind” Art News (March 1969).
Gruppo, exhibition catalogue. Pietrasanta, Italy:
     Museo dei Bozzetti, 1995.
“Polemic on One-Eyed Formats.” Art News (December
     1966).
“Stone Notes: Direct Carving.” Art News (May 1966).
“The Problem of Subject Matter,” It is., no. 1 (1958).
“The Psychology of Non-History.” It is., no. 3 (1959).
“The Second Space.” It is., no. 2 (1958).
“The Unwanted Title: Abstract Expressionism.” It is.
     no. 2 (1960).
“The Waldorf Panels on Sculpture.” It is., no. 6 (1965)
“The New York School and the Jungian Ideal.” Journal
     of Art
(October 1991), Editor, Barbara Rose.

About Pavia
Altshuler, Bruce. The Avante-Garde in Exhibition. New
     York: Harry N. Abrams, 1994.
Antonio, Emil de. Painters Painting (movie). 1973.
Antonio, Emil de and Tuchman, Mitch. Painters
     Painting: A Candid History of the Modern Art Scene
     1940–1970
. New York: Abbeville, 1984.
Bergson, Bill. Modern Painters (Autumn, 1988): 52.
Braff, Phyllis. “Sculpture Explores the Senses.” New
     York Times
, October 13, 1991.
—————. “From the Studio.” East Hampton Star,
December 3, 1981.
Coates, Robert. “Philip Pavia.” The New Yorker,
     December 10, 1966
Cummings, Mary. “Sculptor Keeps His Edge.”
     Southampton Press, October 24, 1991.
Florescu, Michael. “ Daringly conceived Exhibit.” East
     Hampton Star
, September 11, 1980.
Foster, Stephen. Franz Kline. New York: Electa
     Espane, 1994.
Friedman, B.H. Jackson Pollock. New York: Viking,
     1972
Gooch, Brad. “The New Bohemia.” New York
     Magazine
, June 22, 1992, 26.
Gruen, John. The Party’s Over Now. Wainscott. N.Y.:
     Pushcart Press, 1989.
—————. “The Medium is the Marble.” New York
     Magazine
, May 19, 1968.
Guilbaut, Serge. How New York stole the Idea of
     Modern Art
. Chicago: University of Chicago Press,
     1983.
Harrison, Helen A. Such Desperate Joy: Imagining
     Jackson Pollock
. New York: Thunder’s Mouth Press,
     2000.
Henry, Gerrit. “The Artist and the Face.” Art in
     America
(January 1977): 37.
Hess, Thomas B. Abstract Art. New York: Viking. 1951.
—————. Willem de Kooning. New York: Museum of
     Modern Art, 1968.
—————. Philip Pavia (catalogue). New York: Kootz
     Gallery, 4 illustrations, 1961.
—————. “Philip Pavia.” New York Magazine,
     December 1973.
—————. “Pedestrians’ Sculpture.” Art News, 1962.
—————. “Philip Pavia.” Ring, France, 1962.
Kroll, Jack. “Philip Pavia.” Newsweek, November 14,
     1966.
Kramer, Hilton. “Philip Pavia.” New York Times,
     December 3, 1966
Kuh, Katherine. “Art That Makes Its Own Light.”
     Saturday Review of Books, June 25, 1966.
Landau, Ellen G. Reading Abstract Expressionism. New
     Haven: Yale University Press, 2005.
Larson, Kay. “The Art Is Abstract, The Memories Are
     Concrete.” New York Times, December 15, 2002.
Life magazine. “A Gallery of Expensive Art.” July 5,
     1962.
Long, Robert. Article. East Hampton Star, 2005.
Maine, Stephen. Review. Art in America, May 2005.
McCarthy, Gerard. Review. Art in America, July 2002.
McDarrah, Fred. The New York School. New York: E.
     Dutton, 1961.
Mellow, James R. “Trans-Atlantic Dialogue.” New York
     Times
, May 18, 1969.
Naves, Mario. “Mythic Heads…Big Stakes.” New York
     Observer
, March 28, 2005.
Nordland, Gerald. Philip Pavia (catalogue).
     Washington DC: Gallery of Modern Art, 1966.
Perl, Jed. New Art City. New York: Alfred F. Knopf,
     2005.
Perrault, John, “Some Things They Never Told You
     About the ’40s, ’50s, and ’60s.” Village Voice,
     December 1973.
Ponsold, Renata, Eye to Eye, Manchester, Vermont:
     Hudson Hills Press, 1988.
Potter, Jeffrey. To a Violent Grave. Wainscott, N.Y.:
     Pushcart Press, 1987.
Price, Marshall N. The Abstract Impulse: Fifty Years of
     Abstraction
. New York: National Academy of Design,
     2007.
Raynor, Vivienne. Review of Kootz show. Arts
     Magazine
, September 1961.
Rose, Barabara. American School Since 1900. New
     York:Praeger, 1968.
Russotto, Ellen. Philip Pavia (catalogue). Zurich,
     Switzerland: Andy Jllien Gallery, 1995.
—————. “Philip Pavia.” Quaderni di Scultura
     Contemporanea
. Rome: Edizioni della Cometa,
     2006: 126–129.
Sheffield, Margaret. Review, September 1997.
Slivka, Rose. Philip Pavia (catalogue). East Hampton
     NY: Guild Hall Museum, 1991.
—————. “Philip Pavia.” East Hampton Star,
     October 10, 1991.
Smith, Roberta. “Robert Motherwell’s Achievements.”
     New York Times, August 1991.
Stevens, Mark and Swan, Annalyn. de Kooning, An
     American Master
. New York: Alfred A. Knopf, 2004.
Tatge, Catherine. Storming the Citadel (film). 1991.
Tully, Judd. “Imaginary Portraits of Club Members.”
     Art/World, (Vol. 7, No.2).
White, Claire Nicols. “Suburban Sculptors.” Newsday
     magazine, August 1, 1976.
Willard, Charlotte. “Philip Pavia.” New York Post,
     December 3, 1966.


SELECTED PUBLIC COLLECTIONS
Albright-Knox Art Gallery, Buffalo, New York
Field Farm, Lawrence Bloedel Collection, Williamstown, Massachusetts
Guild Hall Museum, East Hampton, New York
Hirshhorn Museum and Sculpture Garden, Washington DC
Hofstra University Sculpture Garden, Hempstead, New York
Housatonic Museum of Art, Bridgeport, Connecticut
Metropolitan Museum of Art, New York
Museo dei Bozzetti, Pietrasanta, Italy
Museo della Scultura Contemporanea (MUSMA), Matera, Italy
National Academy of Design, New York
Newark Museum, Newark, New Jersey
Oklahoma City Museum of Art
Philadelphia Museum of Art
Philbrook Museum of Art, Tulsa, Oklahoma
San Francisco Museum of Art
Smithsonian American Art Museum
University Museum, Carbondale, Illinois
University of Iowa Museum of Art, Iowa City, Iowa
Whitney Museum of American Art, New York
Witherspoon Art Museum at the University of North Carolina,
 Greensboro, North Carolina

 

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