BIBLIOGRAPHY By Pavia Club Without Walls: The Journals of Philip Pavia. New York: Midmarch Arts Press, 2005. “Excavations in Non-History.” It is., no. 4, 1959. “Five States of Mind” Art News (March 1969). Gruppo, exhibition catalogue. Pietrasanta, Italy: Museo dei Bozzetti, 1995. “Polemic on One-Eyed Formats.” Art News (December 1966). “Stone Notes: Direct Carving.” Art News (May 1966). “The Problem of Subject Matter,” It is., no. 1 (1958). “The Psychology of Non-History.” It is., no. 3 (1959). “The Second Space.” It is., no. 2 (1958). “The Unwanted Title: Abstract Expressionism.” It is. no. 2 (1960). “The Waldorf Panels on Sculpture.” It is., no. 6 (1965) “The New York School and the Jungian Ideal.” Journal of Art (October 1991), Editor, Barbara Rose. About Pavia Altshuler, Bruce. The Avante-Garde in Exhibition. New York: Harry N. Abrams, 1994. Antonio, Emil de. Painters Painting (movie). 1973. Antonio, Emil de and Tuchman, Mitch. Painters Painting: A Candid History of the Modern Art Scene 1940–1970. New York: Abbeville, 1984. Bergson, Bill. Modern Painters (Autumn, 1988): 52. Braff, Phyllis. “Sculpture Explores the Senses.” New York Times, October 13, 1991. —————. “From the Studio.” East Hampton Star, December 3, 1981. Coates, Robert. “Philip Pavia.” The New Yorker, December 10, 1966 Cummings, Mary. “Sculptor Keeps His Edge.” Southampton Press, October 24, 1991. Florescu, Michael. “ Daringly conceived Exhibit.” East Hampton Star, September 11, 1980. Foster, Stephen. Franz Kline. New York: Electa Espane, 1994. Friedman, B.H. Jackson Pollock. New York: Viking, 1972 Gooch, Brad. “The New Bohemia.” New York Magazine, June 22, 1992, 26. Gruen, John. The Party’s Over Now. Wainscott. N.Y.: Pushcart Press, 1989. —————. “The Medium is the Marble.” New York Magazine, May 19, 1968. Guilbaut, Serge. How New York stole the Idea of Modern Art. Chicago: University of Chicago Press, 1983. Harrison, Helen A. Such Desperate Joy: Imagining Jackson Pollock. New York: Thunder’s Mouth Press, 2000. Henry, Gerrit. “The Artist and the Face.” Art in America (January 1977): 37. Hess, Thomas B. Abstract Art. New York: Viking. 1951. —————. Willem de Kooning. New York: Museum of Modern Art, 1968. —————. Philip Pavia (catalogue). New York: Kootz Gallery, 4 illustrations, 1961. —————. “Philip Pavia.” New York Magazine, December 1973. —————. “Pedestrians’ Sculpture.” Art News, 1962. —————. “Philip Pavia.” Ring, France, 1962. Kroll, Jack. “Philip Pavia.” Newsweek, November 14, 1966. Kramer, Hilton. “Philip Pavia.” New York Times, December 3, 1966 Kuh, Katherine. “Art That Makes Its Own Light.” Saturday Review of Books, June 25, 1966. Landau, Ellen G. Reading Abstract Expressionism. New Haven: Yale University Press, 2005. Larson, Kay. “The Art Is Abstract, The Memories Are Concrete.” New York Times, December 15, 2002. Life magazine. “A Gallery of Expensive Art.” July 5, 1962. Long, Robert. Article. East Hampton Star, 2005. Maine, Stephen. Review. Art in America, May 2005. McCarthy, Gerard. Review. Art in America, July 2002. McDarrah, Fred. The New York School. New York: E. Dutton, 1961. Mellow, James R. “Trans-Atlantic Dialogue.” New York Times, May 18, 1969. Naves, Mario. “Mythic Heads…Big Stakes.” New York Observer, March 28, 2005. Nordland, Gerald. Philip Pavia (catalogue). Washington DC: Gallery of Modern Art, 1966. Perl, Jed. New Art City. New York: Alfred F. Knopf, 2005. Perrault, John, “Some Things They Never Told You About the ’40s, ’50s, and ’60s.” Village Voice, December 1973. Ponsold, Renata, Eye to Eye, Manchester, Vermont: Hudson Hills Press, 1988. Potter, Jeffrey. To a Violent Grave. Wainscott, N.Y.: Pushcart Press, 1987. Price, Marshall N. The Abstract Impulse: Fifty Years of Abstraction. New York: National Academy of Design, 2007. Raynor, Vivienne. Review of Kootz show. Arts Magazine, September 1961. Rose, Barabara. American School Since 1900. New York:Praeger, 1968. Russotto, Ellen. Philip Pavia (catalogue). Zurich, Switzerland: Andy Jllien Gallery, 1995. —————. “Philip Pavia.” Quaderni di Scultura Contemporanea. Rome: Edizioni della Cometa, 2006: 126–129. Sheffield, Margaret. Review, September 1997. Slivka, Rose. Philip Pavia (catalogue). East Hampton NY: Guild Hall Museum, 1991. —————. “Philip Pavia.” East Hampton Star, October 10, 1991. Smith, Roberta. “Robert Motherwell’s Achievements.” New York Times, August 1991. Stevens, Mark and Swan, Annalyn. de Kooning, An American Master. New York: Alfred A. Knopf, 2004. Tatge, Catherine. Storming the Citadel (film). 1991. Tully, Judd. “Imaginary Portraits of Club Members.” Art/World, (Vol. 7, No.2). White, Claire Nicols. “Suburban Sculptors.” Newsday magazine, August 1, 1976. Willard, Charlotte. “Philip Pavia.” New York Post, December 3, 1966. SELECTED PUBLIC COLLECTIONS Albright-Knox Art Gallery, Buffalo, New York Field Farm, Lawrence Bloedel Collection, Williamstown, Massachusetts Guild Hall Museum, East Hampton, New York Hirshhorn Museum and Sculpture Garden, Washington DC Hofstra University Sculpture Garden, Hempstead, New York Housatonic Museum of Art, Bridgeport, Connecticut Metropolitan Museum of Art, New York Museo dei Bozzetti, Pietrasanta, Italy Museo della Scultura Contemporanea (MUSMA), Matera, Italy National Academy of Design, New York Newark Museum, Newark, New Jersey Oklahoma City Museum of Art Philadelphia Museum of Art Philbrook Museum of Art, Tulsa, Oklahoma San Francisco Museum of Art Smithsonian American Art Museum University Museum, Carbondale, Illinois University of Iowa Museum of Art, Iowa City, Iowa Whitney Museum of American Art, New York Witherspoon Art Museum at the University of North Carolina, Greensboro, North Carolina |
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